Philosophy & Film: an annotated syllabus

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In the last few decades, there has been an increase in interest in using film (and popular culture, more generally) to teach philosophy. In addition, there has been some effort to use film and popular culture in philosophical work, and there have been philosophically-minded film makers. Given my own obsessive consumption of popular culture and philosophy, a “Philosophy & Film” course was all but inevitable.

Overview of the course

The course began as a series of conversations with David Magill; at the time, we were both at Pitt-Johnstown, and we thought it would be great to team teach a course on this material. Although that course never came to fruition, the courses brought together as a composite in this syllabus eventually did.

The class has three major sections:

  1. Philosophy through film: how have film makers explored traditional questions in or highlighted problems from the history of philosophy? Topics in this section include: truth, knowledge, mindedness, and personal identity.
  2. Social thought through film: how film can illustrate, reinforce, and critique norms of femininity, masculinity, and race?
  3. Film as literary pursuit: how does a mass medium like film stand up to analysis using standard tools from literary analysis? Topics in this section include the nature of adaptation, satire, authorship, and the morality of cinematic representations.

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